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The (Im)possibility of Art Archives : Theories and Experience in/from Asia
| The (Im)possibility of Art Archives : Theories and Experience in/from Asia |
| Autore | Pan Lu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore Pte. Limited, , 2024 |
| Descrizione fisica | 1 online resource (383 pages) |
| Disciplina | 026.7095 |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics Series |
| ISBN | 981-9958-98-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Introduction -- "Archive" (Lost) in the Chinese Language: Wenxian, Dang'an, or What Else? -- Can Asian Experience Generate Theories of Archive? -- References -- Contents -- Notes on Contributors -- List of Figures -- Accumulation and Creation: The Birth of Archive -- Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art -- The Founding of the Archives -- Methodology for Oral History Interviews -- Examples of Interviews -- Disseminating Oral Histories in Japan -- Materials for Future Use -- "Accumulation" and "Reward": An Interview with Chen Tong on Video Bureau -- Re-visioning the Archives: On the Creation and Curation of Relational and Decolonial Visual Art Archives in Asia -- From Repository to Relational Platform: The Visual Art Archive Reconsidered -- Toward Relational Visual Art Archives in Asia -- Resisting Narrative: Archives, Exhibitions, and the Emergence of Anti-Hegemonic Asian Art Histories -- Futuring a Relational and Decolonial Visual Art Archive(s) in Asia -- Hijikata Tatsumi Archive-A Pioneering Dance Archive in Japan -- Introduction -- The Archival Experiment: The Genetic Archive -- Our Archive's Principles and Aims -- Our Archive's Features and Roles -- The Archive's Various Activities -- Conclusion -- One-Man Archive: Koh Nguang How on the Possibilities of Archiving Singapore Art -- Beginning of Archiving in Singapore -- Alternative Art Histories and their Archiving Approach/Method -- Singapore Art Archive Project (SAAP) -- Exchanges between Singaporean and other Asian Artists -- Archive as Artwork -- Endless Archive in Limited Space, and the Climate -- Deconstruction and Recreation: Artist, Curator and Researcher on Archive -- Encountering Incompleteness: Archives, Institutions and Exhibition-Making -- References -- The Need of Art Archives in India -- Introduction.
Modernism in India: Art in the Post-Second World War -- The Need of Archive for Indian Modern Art -- The Timeless Plunge: The Ha Bik Chuen Archive -- From Personal Collection to Archive -- Atemporal Modified Books -- The Plunging Spike: Asia Art Archive (AAA) -- Archival Rhizome -- Bibliography -- Endless Documents: Chinese Contemporary Art and Curatorial Practices in Archives -- Archive and History -- Institutions and Exhibitions -- Archive: Theory and Practice -- The Eyes of Archives: How Contemporary Taiwanese Video Art Set Off a Revolt Regarding Japanese Colonial History -- Introduction -- Chen Chieh-Jen's Realm of Reverberations -- Three Films from Kao Chung-Li's Series Slide-Briefing Film -- Hsu Chia-Wei's Series Industrial Research Institute of the Taiwan Governor-General's Office -- Conclusion -- Expose: Archive of (by) Yutaka Matsuzawa -- Matsuzawa and His House in Suwa -- Expose-Diagram of Self-Archiving -- The Four Circles of the Diagram -- Circle One-Nirvana -- Circle Two-Bigakkō (美学校) -- Circle Three-DCCA (Data Center of Contemporary Art) -- Circle Four-'X' -- Free Art-Free Document-Archive -- 'Expose ↔ Total Communication' in the Internet Age -- The End of the Psi Room -- It Takes a Village: Archives Talk Back -- The Archive as Site of Meaning Mediation -- Unstable But Free-for-All Resource -- Dispersal as Survivalist Tactic -- Others, a Night in Tokyo, Coconut Forest and Tigers: Observations of a Pseudo-Tourist -- Introduction -- Prologue -- (Others) -- (A Night in Tokyo) -- Coconut Forest -- (Tiger) -- (Notes from the author) -- Muse(ing) the Archive, Archival/Exhibiting Turn -- Introduction -- Exhibiting Archives, Archival Exhibit -- Archival Turn, Archival Art -- Archiving Is to Keep, Exhibiting Is to Show -- Retrieval, Restoration, and Predicament Objects, Memories and Records in Wartime -- Section One -- First Premise. Second Premise -- Second Section -- Regarding The Retrieval, Restoration, and Predicament -- Retrieval-Dialogue of the Documents -- Restoration-The Damaged Queen Victoria Statue and the Lost Blueprint -- Predicament-Post-War Problems and Public Auction -- Epilogue -- History as 'Now' and 'in the Moment' -- Toward Archiveology: Regarding Nguyen Trinh Thi's Essay Films -- Works Cited -- The Public and Imagination: Archive as Self-Portrait of Community -- The Relationship Between Sendai Mediatheque's Art Exhibitions and 3.11 Archives: A Case Study of "Record and Recalling: Walking on the House of Images" -- Introduction -- Exhibition Outline -- On "The House" -- Art Documentation -- Conclusion -- Rescuing Our Own Visual Heritage: Memoirs of a Taiwanese Folk Image Preservation Movement -- Introduction -- Is Archive Neutral? -- Why Is Rescuing Ordinary People's Visual Heritage a Social Movement? -- Wherefore a Counter-Attack? Who Is the Target? -- How Are Folk Images Defined? -- Which Are the Subjects of Rescue at the Workshops? What Curriculum Has Been Planned? -- Conclusion -- Archives Without Archivists: Notes on I'm Calling You-Rebirth (Reverse) of Humans and the Elephant -- Archives Without Archivists -- I'm Calling You -- Big Questions Out of Small Places -- Rebirth and Reverse -- Borrowing the Perspectives of Others -- References -- Multitude Asia: Huang Sun-quan on Articulation, Network, Asian Visual Archive -- About Multitude Asia (Excerpt from http://multitude.asia/about) -- The Birth and Purpose of Multitude Asia -- What Is the Multitude? -- Articulation and Network -- Praxis of Praxis: Collaborative Art Archiving, Going Beyond an Imagined Community Toward a Community in Process -- "Archive in Process," Transforming and Growing -- Scenario of Coordination and Antagonism Conceived Through "Anti-archive". Villages, Communities and People Gathered On a Timeline: Broadcasting the Archive! -- Archiving the Commons: Struggle of Anti-gentrification and Anti-eviction -- Index. |
| Record Nr. | UNINA-9910831005203321 |
Pan Lu
|
||
| Singapore : , : Springer Singapore Pte. Limited, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities
| Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities |
| Autore | Pan Lu |
| Pubbl/distr/stampa | Bristol, : Intellect, 2015 |
| Descrizione fisica | 1 online resource (276 p.) |
| Disciplina | 779.995 |
| Soggetto topico |
Architecture
Asia -- Pictorial works Photography, Artistic Middle East Regions & Countries - Asia & the Middle East History & Archaeology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78320-454-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Carnival on the Street-Visual Order and its (Pseudo-)Reversion; Chapter 1: A Twisted Carnival: State-Sponsored Graffiti in China; Chapter 2: Writing at the End of History: Reflections on Two Cases of Graffiti in Hong Kong; Part II: Aura on (and beyond) the Street-Body, Community, and Media; Chapter 3: Trans-spatial Images: Traveling Graffiti (Art) and the Possibility of Resistance in Chinese Urban Space; Chapter 4: Eloquence of Silent Speech: JR in East Asia
Part III: Dissensus on the Street-Aesthetics, Politics, and Public SpaceChapter 5: The Spectacle of Democracy: Violence, Language, and Dissensus in the Case of Anti-war Graffiti in Tokyo; Chapter 6: The Nation's Shame? Seoul's Rat Graffiti Incident at the 2010 G-20 Summit; Part IV: Creativity on the Street-Visual Narratives of East Asian Creative Cities 143; Chapter 7: Art, Urban Space, and Governance: Street Mural and "Legal Wall" in Japan; Chapter 8: Marginality as Centrality: The "Seoul Urban Art Project" and AGIT in Busan Special Chapter: Voices from the Street-Interviews with Street Visual Producers in East Asia 1Interview with VERY; Interview with Garoo; Interview with Zyko (Beijing); Interview with Ken Lee @Dirty Panda; Interview with Friendly @Invasian; Conclusion; Bibliography; Back Cover |
| Record Nr. | UNINA-9910460377103321 |
|
Pan Lu
|
||
| Bristol, : Intellect, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities
| Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities |
| Autore | Pan Lu |
| Pubbl/distr/stampa | Bristol, : Intellect, 2015 |
| Descrizione fisica | 1 online resource (276 p.) |
| Disciplina | 779.995 |
| Soggetto topico |
Architecture
Asia -- Pictorial works Photography, Artistic Middle East Regions & Countries - Asia & the Middle East History & Archaeology |
| ISBN | 1-78320-454-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Carnival on the Street-Visual Order and its (Pseudo-)Reversion; Chapter 1: A Twisted Carnival: State-Sponsored Graffiti in China; Chapter 2: Writing at the End of History: Reflections on Two Cases of Graffiti in Hong Kong; Part II: Aura on (and beyond) the Street-Body, Community, and Media; Chapter 3: Trans-spatial Images: Traveling Graffiti (Art) and the Possibility of Resistance in Chinese Urban Space; Chapter 4: Eloquence of Silent Speech: JR in East Asia
Part III: Dissensus on the Street-Aesthetics, Politics, and Public SpaceChapter 5: The Spectacle of Democracy: Violence, Language, and Dissensus in the Case of Anti-war Graffiti in Tokyo; Chapter 6: The Nation's Shame? Seoul's Rat Graffiti Incident at the 2010 G-20 Summit; Part IV: Creativity on the Street-Visual Narratives of East Asian Creative Cities 143; Chapter 7: Art, Urban Space, and Governance: Street Mural and "Legal Wall" in Japan; Chapter 8: Marginality as Centrality: The "Seoul Urban Art Project" and AGIT in Busan Special Chapter: Voices from the Street-Interviews with Street Visual Producers in East Asia 1Interview with VERY; Interview with Garoo; Interview with Zyko (Beijing); Interview with Ken Lee @Dirty Panda; Interview with Friendly @Invasian; Conclusion; Bibliography; Back Cover |
| Record Nr. | UNINA-9910797356503321 |
|
Pan Lu
|
||
| Bristol, : Intellect, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities
| Aestheticizing Public Space [[electronic resource] ] : Street Visual Politics in East Asian Cities |
| Autore | Pan Lu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, : Intellect, 2015 |
| Descrizione fisica | 1 online resource (276 p.) |
| Disciplina | 779.995 |
| Soggetto topico |
Architecture
Asia -- Pictorial works Photography, Artistic Middle East Regions & Countries - Asia & the Middle East History & Archaeology |
| ISBN | 1-78320-454-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Part I: Carnival on the Street-Visual Order and its (Pseudo-)Reversion; Chapter 1: A Twisted Carnival: State-Sponsored Graffiti in China; Chapter 2: Writing at the End of History: Reflections on Two Cases of Graffiti in Hong Kong; Part II: Aura on (and beyond) the Street-Body, Community, and Media; Chapter 3: Trans-spatial Images: Traveling Graffiti (Art) and the Possibility of Resistance in Chinese Urban Space; Chapter 4: Eloquence of Silent Speech: JR in East Asia
Part III: Dissensus on the Street-Aesthetics, Politics, and Public SpaceChapter 5: The Spectacle of Democracy: Violence, Language, and Dissensus in the Case of Anti-war Graffiti in Tokyo; Chapter 6: The Nation's Shame? Seoul's Rat Graffiti Incident at the 2010 G-20 Summit; Part IV: Creativity on the Street-Visual Narratives of East Asian Creative Cities 143; Chapter 7: Art, Urban Space, and Governance: Street Mural and "Legal Wall" in Japan; Chapter 8: Marginality as Centrality: The "Seoul Urban Art Project" and AGIT in Busan Special Chapter: Voices from the Street-Interviews with Street Visual Producers in East Asia 1Interview with VERY; Interview with Garoo; Interview with Zyko (Beijing); Interview with Ken Lee @Dirty Panda; Interview with Friendly @Invasian; Conclusion; Bibliography; Back Cover |
| Record Nr. | UNINA-9910816257303321 |
|
Pan Lu
|
||
| Bristol, : Intellect, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Image, imagination and imaginarium : remapping World War II monuments in Greater China / / Lu Pan
| Image, imagination and imaginarium : remapping World War II monuments in Greater China / / Lu Pan |
| Autore | Pan Lu |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Singapore : , : Palgrave Macmillan, , [2020] |
| Descrizione fisica | 1 online resource (XIV, 415 p. 80 illus., 38 illus. in color.) |
| Disciplina | 940.53432142 |
| Soggetto topico |
World War, 1939-1945 - Monuments - China
War memorials - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN | 981-15-9674-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Between Iconic Image and (Artificial) Ruins: Shanghai Sihang Warehouse and WWII Memory in China -- Chapter 3: (Forgotten)Landscape of War Memories and Public Space in (Post)colonial City: Hong Kong’s Cenotaph and beyond -- Chapter 4: Imagining Imaginarium: National Revolutionary Martyrs’ Shrine in Taipei -- Chapter 5: The Monument that became A Public Toilet: the New 1st Army Cemetery in Guangzhou -- Chapter 6: Renaming Monument, Rewriting History: Chongqing’s War Victory Stele/Liberation Stele -- Chapter 7: Conclusion: Visuality against Visuality—The Right to Look in East Asia and WWII Monuments in Greater China. . |
| Record Nr. | UNINA-9910437627203321 |
|
Pan Lu
|
||
| Singapore : , : Palgrave Macmillan, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||